0
0
A notable element of the Kochi-Muziris Biennale is Himanshu Jamod’s artistic deconstruction of the myths and infamy surrounding Gujarat’s extensive ship-dismantling operations. Jamod, a 32-year-old visual artist born in the port city of Bhavnagar, articulates the function of the world’s foremost ship dismantling yard in Alang, Gujarat, with the assertion, «Every ship has an expiry date.»
His lifelong connection to the maritime industry is evident, having spent his childhood observing ships arrive in Alang, a short distance from his home. He frequently accompanied his father, a dockyard worker in Bhavnagar, and an uncle employed at the Alang Ship Breaking Yard to their respective workplaces.
The historical significance of the Bhavnagar port and the establishment of the Alang Ship Breaking Yard in 1983 were integral to his upbringing, as many family members were involved in seafaring professions. This deep-seated maritime knowledge informed his decision to pursue art, leading him to enroll in the Bachelor of Fine Arts program at the Maharaja Sayajirao University of Baroda in 2013, where he began sketching ships.
More than a decade later, these initial sketches have evolved into substantial paintings that are a featured part of the sixth edition of the Kochi-Muziris Biennale, which commenced on December 12th.
